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No. 14 (2020): Young Scientific Music and Dance Forum: Conference with international participation
No. 14 (2020): Young Scientific Music and Dance Forum: Conference with international participation
Published:
2021-12-29
Content
Contents
Journal Editor
1-6
Editorial
Editorial
Yavor Konov
7-8
Articles
Andrey Stoyanov and Pancho Vladigerov at the beginning of the XX century (until 1944)
Milena Shushulova-Pavlova
9-21
PDF
Simo Lazarov and his timbral reading of „Sarabandе“ from „Classical and Romantic“ by Pancho Vladigerov
Rositsa Becheva
22-32
PDF
On the first Bulgarian music textbooks and collections with children‘s and school songs
Rossitsa Draganova
33-44
PDF
On some aspects of teaching pop and jazz singing. The significance and the degree of importance of the empirical method for constructing the vocal technique of the students
Iliyan Paraskov
45-59
PDF
Polytempo. Proportions, interrelations and trinity of tempos
Stefan Dragostinov
61-72
PDF
Lied academies conducted by Thomas Hampson at the Music festival Heidelberger Frühling (2017-2019): Work on the repertoire of Ggerman songs
Mariya Rosenova Ruseva
61-72
PDF
Vocal-pedagogical guidelines assisting the methods of working with mutating voices
Doroteya Lyutskanova
90-100
PDF
The examination questionnaires of Boncho Bochev as a key to his conducting method
Iva Georgieva
101-115
PDF
Conceptual design of a model for the creation and development of youth symphony orchestras in Bulgaria
Svetlina Terzieva-Angelova
116-128
PDF
Çanakkale choir festival new international Çanakkale choirs festival 2019: Development assessment from 2011 to 2019
Mete Gokce
129-139
PDF
Actor, movement, space in Oskar Schlemmer‘s theatrical concept
Violeta Detcheva
141-148
PDF
New directors in Bulgarian short film of the last decade
Petia Alexandrova
149- 155
PDF
Forms of interaction in the project Medea
Snezhina Petrova
156–187
PDF
Memoirs of Ingmar Bergman – the other face of genius
Desislava Shpatova
189 – 199
PDF
Theatrical practices and play models in working with children and youth in multicultural communities
Elena Panayotova
200-213
PDF
Why does a film actor need exercises with imaginary objects?
Aleksandar Tomov
214-220
PDF
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