Why does a film actor need exercises with imaginary objects?
Keywords:
concentration, meditation, emotionality, sensuousnessAbstract
The purpose of exercises with imaginary objects is to work on the sensory. Sensory is the basis of emotion. Working on the senses is creating individuality. If the performer accepts the world with his senses, he creates his own thoughts, his own views, his own criteria, his own faith for each experience. The need to work with imaginary objects is to understand their essence through meditation on sensory information. Concentration makes us abstain from all the reality that surrounds us. This does not mean that they are described as an object with the means of pantomime or imitated by consciousness.
References
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