Staging Gogolâ€™s play Marriage in Bulgaria
Keywords:Gogol, translation, â€œMarriageâ€, Sofia Theatre, Ivan Vazov National Theatre, adaptations
The article traces a range of performances staging Gogolâ€™s play Marriage in Bulgaria with a special emphasis on the respective translations into Bulgarian. The theory features translation and adaptation mechanisms specifically applied to cultural realia. The staging in the Sofia Theatre is highlighted. The methodology applied belongs to the framework of cross-cultural communication studies and employs cultural-historic and reception approaches.