Intermediality in contemporary avant-garde cinema: Blurring media boundaries in Jean-Luc Godard’s films

Authors

  • Loukia Kostopoulou

DOI:

https://doi.org/10.33919/dasc.22.5.2

Keywords:

intermediality, avant-garde cinema, Jean-Luc Godard, Film Socialisme, First Name Carmen

Abstract

Drawing on the premises of avant-garde cinema (experimentation, transformation, liminality), this paper seeks to examine how intermediality functions as a form of experimentation in contemporary avant-garde cinema. It also bring new insights regarding the nature of the medium and the impact on the spectator. Examples will be drawn from Jean-Luc Godard’s films First Name: Carmen (1983) and Film Socialisme (2010).

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Published

2022-12-30

How to Cite

Kostopoulou, L. (2022). Intermediality in contemporary avant-garde cinema: Blurring media boundaries in Jean-Luc Godard’s films. Digital Age in Semiotics & Communication, 5, 15–34. https://doi.org/10.33919/dasc.22.5.2