Patterns of creating suspense in Stephen King's The Shining

Authors

  • Maria Anastasova South-West University Neofit Rilski, Blagoevgrad, Bulgaria

DOI:

https://doi.org/10.33919/esnbu.16.1.4

Keywords:

suspense, suspense motifs, Stephen King, The Shining

Abstract

The article focuses on the ways of creating suspense in Stephen King’s novel The Shining. Its main purpose is to explore the basic suspense motifs in the book and establish some general patterns of their development and distribution throughout the novel. After providing a theoretical definition of what suspense is, the paper sets to explore the ways it is achieved in the novel. A toolkit is adopted from narrative theory, in order to analyze the ways of building suspense in terms of narration. The study shows that the suspenseful motifs in The Shining can be divided into three groups according to their operation in the text: gradually developed suspense motifs, climactic suspense motifs, and mini episodes of suspense.

Author Biography

Maria Anastasova, South-West University Neofit Rilski, Blagoevgrad, Bulgaria

Maria Anastasova, PhD student at the Department of Germanic and Romance Studies (SWU Neofit Rilski). Maria is an Assistant Professor of English and Translation. Her PhD thesis project studies the ways of building suspense in two novels by Stephen King and their film adaptations. She is the author of academic articles connected with the problems of translation and suspense building in literature.

References

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Zillmann, D. (1980). Anatomy of Suspense. In P. H. Tannenbaum (Ed.), The Entertainment Functions of Television, (pp. 133-163). Hillsdale, NJ: Lawrence Erlbaum Associates.

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Published

2016-08-20

How to Cite

Anastasova, M. (2016). Patterns of creating suspense in Stephen King’s The Shining. English Studies at NBU, 2(1), 43–58. https://doi.org/10.33919/esnbu.16.1.4

Issue

Section

Doctoral Section