Patterns of creating suspense in Stephen King's The Shining
DOI:
https://doi.org/10.33919/esnbu.16.1.4Keywords:
suspense, suspense motifs, Stephen King, The ShiningAbstract
The article focuses on the ways of creating suspense in Stephen King’s novel The Shining. Its main purpose is to explore the basic suspense motifs in the book and establish some general patterns of their development and distribution throughout the novel. After providing a theoretical definition of what suspense is, the paper sets to explore the ways it is achieved in the novel. A toolkit is adopted from narrative theory, in order to analyze the ways of building suspense in terms of narration. The study shows that the suspenseful motifs in The Shining can be divided into three groups according to their operation in the text: gradually developed suspense motifs, climactic suspense motifs, and mini episodes of suspense.
References
Carroll, N. (1990). The Philosophy of Horror or Paradoxes of the Heart. New York: Routledge.
Carroll, N. (1996). Theorizing the Moving Image. NY: Cambridge University Press.
Carroll, N. (2003). Beyond Aesthetics. Cambridge: Cambridge University Press.
Casebeer, E. (1996). The Art of Balance: Stephen King’s Cannon. In T. Magistrale and M. Morrison (Eds.), A Dark Night’s Dreaming: Contemporary American Horror Fiction, (pp. 42 – 54). South Carolina: University of South Carolina Press.
Dymond, E. J. (2015). Objectivity and the Overlook: Examining the Use of Multiple Narratives in Stephen King's THE SHINING. The Explicator, 73(2), 124-128, https://doi.org/10.1080/00144940.2015.1030585
Genette, G. (1983). Narrative Discourse: An Essay in Method. Ithaca, NY: Cornwell University Press.
Jahn, Manfred. (2005). Narratology: A Guide to the Theory of Narrative. URL: http://www.uni-koeln.de/~ame02/pppn.htm#N1
King, S. (1992). The Shining, Carrie, Misery. London: Chancellor Press.
Magistrale, T. (2010). Stephen King: America’s Stroyteller. Santa Barbara, California: Praeger, ABC Clio.
Reino, J. (1988). Stephen King The First Decade, Carrie to Pet Cemetery. Boston, Massachusetts: Twayne Publishers.
Russell, S. (1996). Stephen King: A Critical Companion. Westport: Greenwood Press.
Truffaut, F. (1983). Hitchcock. New York: Touchstone.
Zillmann, D. (1980). Anatomy of Suspense. In P. H. Tannenbaum (Ed.), The Entertainment Functions of Television, (pp. 133-163). Hillsdale, NJ: Lawrence Erlbaum Associates.
Downloads
Published
How to Cite
Issue
Section
License
All published articles in the ESNBU are licensed under the Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0). This license lets others remix, tweak, and build upon your work non-commercially, and although their new works must also acknowledge you and be non-commercial, they don't have to license their derivative works on the same terms.
In other words, under the CC BY-NC 4.0 license users are free to:
Share - copy and redistribute the material in any medium or format
Adapt - remix, transform, and build upon the material
Under the following terms:
Attribution (by) - All CC licenses require that others who use your work in any way must give you credit the way you request, but not in a way that suggests you endorse them or their use. If they want to use your work without giving you credit or for endorsement purposes, they must get your permission first.
NonCommercial (nc) - You let others copy, distribute, display, perform, and modify and use your work for any purpose other than commercially unless they get your permission first.
If the article is to be used for commercial purposes, we suggest authors be contacted by email.
If the law requires that the article be published in the public domain, authors will notify ESNBU at the time of submission, and in such cases the article shall be released under the Creative Commons 1 Public Domain Dedication waiver CC0 1.0 Universal.
Copyright
Copyright for articles published in ESNBU are retained by the authors, with first publication rights granted to the journal. Authors retain full publishing rights and are encouraged to upload their work to institutional repositories, social academic networking sites, etc. ESNBU is not responsible for subsequent uses of the work. It is the author's responsibility to bring an infringement action if so desired by the author.
Exceptions to copyright policy
Occasionally ESNBU may co-publish articles jointly with other publishers, and different licensing conditions may then apply.