Simo Lazarov`s cycle „Timbre fantasies“
Keywords:
sound processing, timbre, musical space, spatial music composition, electroacoustic musicAbstract
The cycle „Timbral Fantasies“ by Simo Lazarov is at the centre of research in the context of musical-spatial composition. An attempt has been made to derive the problems of electronic sound, timbre, musical space as an element of composition, perception, performance, interpretive and analytical approaches to the music, formal-structural and stylistic features.
References
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BAALMAN, Marije A. J., 2010. Spatial Composition Techniques and Sound Spatialisation Technologies. Organised Sound [online]. vol. 15(03), pp. 209-218. Cambridge University Press [viewed 14 September 2021]. Available from: DOI: 10.1017/S1355771810000245
BATES, E., 2009. The Composition & Performance of Spatial Music, Ph.D. thesis, University of Dublin (Trinity College Dublin, August 2009). [Accessed February 10, 2020]. Available from: http://www.endabates.net/The%20Composition%20and%20Performance%20of%20Spatial%20Music
HENRIKSEN, F. E., 2002. Space in electroacoustic music: composition, performance and perception of musical space. Ph.D. thesis, City University, London. July 2002. [Accessed February 10, 2020]. Available from: https://openaccess.city.ac.uk/id/eprint/7653/1/Space_in_electroacoustic_music-_composition,_performance_and_perception_of_musical_space.pdf
LAZAROV, Simo. Timbre Fantasies No 1 NORD lead3 Symphony 2010 [Accessed February 10, 2020]. Available from: https://www.youtube.com/watch?v=sN1WiU4dLJ8
LAZAROV, Simo. Timbre Fantasies No 2 for kaval, electronics and synth 2014 [Accessed February 10, 2020] Available from: https://www.youtube.com/watch?v=kLYBuhPonEM
LAZAROV, Simo. Timbre Fantasies No 3 promo 2017 [Accessed February 10, 2020] Available from: https://www.youtube.com/watch?v=g9bHFw9OB0M
