Truth and illusion in Tennessee Williams' A Streetcar named desire
DOI:
https://doi.org/10.33919/esnbu.16.1.3Keywords:
A Streetcar Named Desire, Blanche DuBois, truth, illusion, psychological breakdownAbstract
The following paper discusses some of the motifs ubiquitous to Tennessee Williams’ oeuvre, namely truth and illusion as they are presented in one of his most famous plays, A Streetcar Named Desire. The author endeavors to portray these motifs through an analysis of the characters' behavior and the subsequent, tragic consequences in order to reveal the humanness of Williams' characters who are just like the playwright himself, all marred by alcoholism, depression and loneliness.
References
Bartlett, I., & Cambor, G. (1974). The History and Psychodynamics of Southern Womanhood. Women’s Studies 2(1), 9-25.
Hovis, G. (2003). ’Fifty Percent Illusion’: The Mask of the Southern Belle in Tennessee Williams’ A Streetcar Named Desire, The Glass Menagerie, and ‘Portrait of a Madonna.’ The Tennessee Williams Literary Journal 5(1), 11-22.
Roberts, D. (1994). Faulkner and Southern Womanhood. London: The University of Georgia Press.
Seidel Lee, K. (1985). The Southern Belle in the American Novel. Tampa: University of South Florida Press.
Williams, T. (2000). A Streetcar Named Desire and Other Plays. London: Penguin Books.
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